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Sunday, October 12, 2008

Looking Through The Kaleidoscope #5: I Suppose You Can Call It Typecasting

It has been quite some time since I have made a post on the blog, for which I apologize. Things have been extremely busy as of late. But seeing that the newsletter mentioned the blog, I figured I should oblige again. I wouldn't want to newsletter to be accused of libel.

For me, I had expected certain things to happen with Kaleidoscope. My main expectation was that I was going to play The Huntsman again for Snow White, which I did. I relatively try and keep modest when it comes to theatre and think of every new show, even one I've done before, as a clean slate, meaning I was prepared for the idea that someone else might play The Huntsman instead. However I did have assurance from others that I would get to rejoin the cast and I was happy to do so.

For those of you who may have only done a particular show for one run with Kaleidoscope, getting to do a second run has a particularly good feeling. Because of the atmosphere that this particular theatre company already creates, going in to revisit a show with familiar faces is extremely welcoming. The first rehearsals usually begin with enthusiastic greetings between people who haven't seen each other since last summer. In my case, these greetings were with a great deal of children, who seem to have grown in one way or another since the summer before. I see certain faces and think of how glad I am that they are part of the show again and hope that they could stay small forever. However I think the parents would protest to that last part. Otherwise when would they move out? Never the less, seeing a familiar cast is always special. The rehearsals also run pretty smoothly because, as I said before, doing a Kaleidoscope show is a lot like riding a bike: you do it once and then you never really forget.

As I stated, I had certain expectations for the summer with Kaleidoscope. I expected to go to certain venues, my particular favorite being Melody Tent. I expected experiencing the fury of a character lunch and lots of time in a van. What I didn't expect, however, was to do another show.

I was told by Jamie that the company was looking for someone to perform in Little Red Riding Hood playing, surprise, The Huntsman. I figured "how different can one huntsman be from another?" Turns out there is quite a difference between the two, particularly that The Huntsman sings in Little Red. My gut reaction was that this could pose a problem. But at the same time, I sang at my first audition, I can try again at this next one.

For the second time, I made my way down to Kaleidoscope's office and was about to audition for a new part. I never would have guessed that this would be the easiest audition of my life thus far. I kid you not. I'm not saying it was due to this Broadway-caliber barrage of talent practically glowing out of my being, especially since that factor of myself doesn't exist. It was David who made this audition easy and he was only there for a total of seven seconds.

Jamie and I were going over The Huntsman's song a few times in preparation for David to get there and officially hold the audition. David came in while I was in the middle of singing, said "I didn't know you could sing...OK, you've got the part" and proceeded to leave. That was it. I didn't even know I could sing, but if David said I could who was I to argue? The man runs the company, for pete's sake! Don't hassle him about your insecurities of your own talent. He's got bigger fish to fry.

So for two times this summer I would play The Huntsman, albeit for only one other performance. That story will be for next time, plus how a monitor can cause sudden bursts of inspiration.

In the words of Garrison Keillor, "be well, do good work, and keep in touch."

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