Hello all. This is Ryan and if you read the Kaleido-News lately, then you know what I am doing on this blog. If you don't know what I am doing here, Kaleidoscope was nice enough to make me a contributor for the blogs and I am using the opportunity to write entries about summer experiences as an actor for the company. I thank Nikki and Mia for giving me the inspiration for this.
While this summer has come to a close and these experiences won't necessarily by "live", I am hoping my memory will serve me well and I can reflect on the past two summers with the company. One thing I certainly remember well is how I got started with Kaleidoscope.
While I realize now that I had seen Kaleidoscope shows when I was a young child, I was formally introduced to the theater in 2007 by Jamie Dellorco, who most people know by now is my girlfriend. Before I go on, I want to stress that Kaleidoscope does offer auditions on a regular basis and you are not required to take anyone out to dinner and a movie in order to work with them. Whether that will improve your chances or not, I don't know.
Nevertheless, I had come to learn that Jamie had worked with Kaleidoscope for some time now. Jamie told me, and I say this at the risk of embarrassing her, that children's theatre, specifically Kaleidoscope, helped keep her involved with the arts and acting. She had been starting to stray from the stage until she worked with children and realized that this was what she wanted to do. No matter what kind of ups and downs she would face, Jamie could always call Kaleidoscope her home.
Jamie knew that they needed someone for a dinner theatre show, Dial M for Matrimony, and possibly a Huntsman for Snow White during the summer season. She suggested and encouraged me to audition. There was one thing, however, that I knew would get in the way of a successful audition: I did not sing. Kaleidoscope is a place of music. Music plays such a vital role in all of their productions. What would they do with a non-singing, out-of-college actor? What would anybody do with a non-singing, out-of-college actor? Seriously. Not only did I not sing but I had no kind of vocal training at all. Doing children's theatre for a summer seemed like fun, but to me the likelihood didn't seem high. Jamie assured me, however, that if I did Snow White that I would not have to sing as The Huntsman. In the end, I decided to give it a shot.
The fateful night of the audition I met David Payton for the first time, who was very polite in greeting me. We made our way into the performance space and got right down to business. As my luck would have it, David asked me to sing. My song: "Happy Birthday". It's one of those songs that you just sing without thinking about it. It's something ingrained in the brains of every individual. It's some person's birthday, so you sing. I gave the song a shot and David said, to my surprise, that it didn't sound too bad. Didn't sound bad? This can't be. Hanleys don't sing. It's a rule. But that's what David said. He suggested I try and listen to myself more when I sing. I tried again, this time attempting to make an effort to listen to my own voice, which isn't easy for a non-singer. But David thought I did better the second time around. If he's happy, I'm happy. I was then asked to read a portion of Dial M for Matrimony. With this I was more comfortable and had a great time coming up with voices for the characters. Eventually, I was offered the part of Pasqualie/Peccarino in Dial M for Matrimony.
I'm not posting this to gloat, I assure you. Modesty is an important policy all people should keep. Besides, I still don't think I can sing. In any case, I have come to realize that even in a theater full of musicals, there is a place for someone who is musically illiterate. No matter what you think a theater is looking for, there is no reason not to give it a try. For all you know, it might end up that they were looking for you.
Next time, I would like to share my first show experiences with you if you would be so kind to read them.
In the words of Garrison Keillor, "Be well, do good work, and keep in touch".
1 comment:
That's definitly true Ryan. When I first started working with Kaliedoscope, they ask me to sing, dance and read from the script as well. I agree with you 100%.
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